That enthusiasm for speed was first reflected in Life magazine. Even before the XS-1 flew, Life had gotten wind of the NACA’s impending assault on the sound barrier and asked Langley’s aerodynamicists what a supersonic airliner of the future might look like. John Stack got a group together to lay out a commercial supersonic aircraft using 1947 state-of-the-art technology. The design they produced for the magazine, pictured in figure 1.1, featured R. T. Jones’s swept wings on a bullet-shaped, X-1–like body. A large turbojet engine in the tail provided power for takeoff and landing, but turbojets were not powerful enough to pierce the sound barrier so the group added rocket engines in detachable pods that would drop away once the aircraft was supersonic. Above Mach 1.2, ramjets in the wing roots took over and powered the plane. But the design had a range of only 1,500 miles, permitting it to fly the famed New York to Havana casino run but not much else. And it could carry only ten passengers, hardly enough to provide economical operation.
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The design was the beginning, however, of an effort that aeronautical engineers both at the NACA’s labs and in the aircraft manufacturers’ design groups returned to repeatedly during the next decade. While supersonic transportation was at best a distant dream in 1947, it represented an obvious future outcome of the quest for higher speeds and altitudes, and as engineers developed new knowledge about supersonic flight, they revisited the SST issue to see how much closer to the dream they had come. The next assessment of the state of SST art was published five years later, following a concerted attempt by the NACA, the Air Force, and the Navy to produce jet-powered aircraft capable of supersonic speeds.